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Coming Through The Rye Remington. A 1906 cast of Coming Through the Rye a bronze by Frederic Remington. Gift of the Thomas Gilcrease Foundation 1955. Coming Through the Rye was Remingtons first effort in using more than two horses and was his largest piece to date. Gilcrease Museum Tulsa Oklahoma.
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The artist described his sculpture as four cowboys on running horses men shooting pistols and shouting This complicated sculpture is truly an example of Remingtons magnificent three-dimensional artistry. Frederic Remington American 1861 - 1909 Off the Range Coming Through the Rye model 1902 cast 1903 bronze Corcoran Collection Museum Purchase 20147938 Horizontal resolution 300 dpi. Louis and was also displayed in Portland Oregon the following year as Shooting up the Town. Coming Thru The Rye 1902 Coming Through the Rye Remingtons eighth bronze sculpture was copyrighted in 1902. The history is that these men are jubilant after returning from a long cattle drive. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from.
To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail.
The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores. What you see. Coming through the Rye displays four pistol-waving cowboys. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores. The Corcoran apparently was unwilling to embrace Remingtons subject and asked him to propose an alternate to the copyrighted title Coming Through the Rye. Louis and was also displayed in Portland Oregon the following year as Shooting up the Town.
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Christies sold it in May 2017 for 112 million against an estimate of 7 million to 10 million. McGuire approved the new title as much more appropriate. This scene depicts the. To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores.
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This is a very handsome sculpture and would look great in many. The artist described his sculpture as four cowboys on running horses men shooting pistols and shouting This complicated sculpture is truly an example of Remingtons magnificent three-dimensional artistry. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from. To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail. This scene depicts the.
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This is another classic Remington sculpture. The Corcoran apparently was unwilling to embrace Remingtons subject and asked him to propose an alternate to the copyrighted title Coming Through the Rye. The Masterworks New York 1988 p. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores. Coming through the Rye is often marveled at because only six of the sixteen horses hooves are supporting the sculpture with the figure on the far left being entirely off the base.
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Only six of the sixteen horse hooves touch the ground. McGuire approved the new title as much more appropriate. This scene depicts the cowboys as they are riding in. The Corcoran apparently was unwilling to embrace Remingtons subject and asked him to propose an alternate to the copyrighted title Coming Through the Rye. Remington offered Off the Range the name of his monumental plaster of the same subject shown at the 1904 Louisiana Purchase Exposition in St.
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To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from. Although the faces and gestures of the men are best seen from the front the side view truly. Lost-wax cast in bronze. This scene depicts the.
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What you see. Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date. Less than 15 Coming through the Rye were originally made. The history is that these men are jubilant after returning from a long cattle drive. Christies sold it in May 2017 for 112 million against an estimate of 7 million to 10 million.
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To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail. Although the faces and gestures of the men are best seen from the front the side view truly. Frederic Remington Coming through the Rye is one of our most popular sculptures and despite the cost the original size of 29 tall is our most popular size. The Masterworks New York 1988 p. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores.
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Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date. Frederic Remington Coming through the Rye is one of our most popular sculptures and despite the cost the original size of 29 tall is our most popular size. Frederic Remington American 1861 - 1909 Off the Range Coming Through the Rye model 1902 cast 1903 bronze Corcoran Collection Museum Purchase 20147938 Horizontal resolution 300 dpi. It set a world record for the artist at auction as well as a record for an American sculpture that predates World War II. Here he depicts 4 horseman riding together at full gallop.
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The fastener used called a roman pin is strong enough to easily support the weight of this horse and rider pair. Coming Thru The Rye By Remington 1902 Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date. Coming Through the Rye was Remingtons first effort in using more than two horses and was his largest piece to date. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from. This scene depicts the cowboys as they are riding in.
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Only six of the sixteen horse hooves touch the ground. Beginning in 1902 only twenty of these Frederic Remington sculptures were cast by the Roman Bronze Works. Here he depicts 4 horseman riding together at full gallop. 743 787 724 cm. Less than 15 Coming through the Rye were originally made.
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743 787 724 cm. This beautiful hand crafted replica is cast in the finest American. Coming Thru The Rye By Remington 1902 Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date. Louis and was also displayed in Portland Oregon the following year as Shooting up the Town. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores.
Source: pinterest.com
Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date. The artist described his sculpture as four cowboys on running horses men shooting pistols and shouting This complicated sculpture is truly an example of Remingtons magnificent three-dimensional artistry. Remington offered Off the Range the name of his monumental plaster of the same subject shown at the 1904 Louisiana Purchase Exposition in St. Louis and was also displayed in Portland Oregon the following year as Shooting up the Town. To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail.
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This is another classic Remington sculpture. Coming through the Rye Off the Range. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores. Lost-wax cast 20th century. Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date.
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Frederic Remington Coming through the Rye is one of our most popular sculptures and despite the cost the original size of 29 tall is our most popular size. McGuire approved the new title as much more appropriate. Coming Through the Rye was Remingtons first effort in using more than two horses and was his largest piece to date. Lost-wax cast in bronze. 29 14 31 28 12 in.
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Here he depicts 4 horseman riding together at full gallop. The four men and horses have taken on with reckless abandonment and are frolicking in the retirement from daily chores. This scene depicts the. Here he depicts 4 horseman riding together at full gallop. This group was cast in five pieces.
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Coming through the Rye is often marveled at because only six of the sixteen horses hooves are supporting the sculpture with the figure on the far left being entirely off the base. Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date. The Masterworks New York 1988 p. Only six of the sixteen horse hooves touch the ground. Here he depicts 4 horseman riding together at full gallop.
Source: pinterest.com
To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail. Coming Thru The Rye was Remingtons first effort in using more than two horses and was his largest piece to date. Remington offered Off the Range the name of his monumental plaster of the same subject shown at the 1904 Louisiana Purchase Exposition in St. Frederic Remington Coming through the Rye is one of our most popular sculptures and despite the cost the original size of 29 tall is our most popular size. To Remington this scene represented a joyful experience of cowboy and horse having completed a strenuous cattle drive of weeks on the trail.
Source: pinterest.com
Only six of the sixteen horse hooves touch the ground. The history is that these men are jubilant after returning from a long cattle drive. This is another classic Remington sculpture. This is another classic Remington sculpture. 207 The present edition cast number 3 completed by 1906 represents one of the last lifetime casts of this seminal.
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